For me, making cinema (or art in general) is about catharsis and abreaction. Artist retreats into their alienation until…
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I utterly love the neo-noir or thriller films of, for example, Brian De Palma or Paul Verhoeven, the representation…
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I want to inherit Cinema, but I don’t want to be needing it simultaneously. My films are already artefacts…
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Art is archaeological excavations of the umbilical cord between the creator and cosmos (unintelligible act). Art gives birth to…
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With my Homo Sapiens Project (HSP), I treat cinema as an open public laboratory of cinematic experimentation rather than…
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To me, cinema isn’t saying about anything nor providing answers on any subject matter whatsoever. It is always about…
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I have come to realize that images do not have any meanings. If they have meanings, then they are…
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I have always refused to believe and accept the fact that the documentary genre in Cinema would be even…
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I have been a prolific filmmaker for two decades seamlessly for three crucial reasons: a) to achieve a specific…
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I am not a writer; I am only a filmmaker and nothing else. But I write my ideas to…
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I believe in nothing. Believing in something creates boundaries and rules around that notion, which is desirable for many…
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I took me all day to think and finalise this concept: I am the films I will never make,…
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The reasons I am against information-orientated films and conceptual art: an idea conceived by the creator is being “substituted”…
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This is the very reason I absolutely love Ingmar Berman; to approach cinema in the most literal way that…
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