19 Mar 2019
EFS @ VERTIGO, Tbilisi
Two programmes of Experimental Film Society films will be screening at VERTIGO arts organisation Tbilisi, Georgia on 12th of April 2019.
“VERTIGO is an arts organization in Tbilisi, Georgia focused on education and cultural activities. Since 2017, the organization has implemented the experimental educational project VERTIGO school. In 2019, VERTIGO school initiated the “un-prefix” program – educational program combining both the fields of experimental film technique and music production for film. “Un-prefix” is implemented through the support of the Georgian Ministry of Education and Culture.” More info HERE / Zakaria Kurdiani st 19, Tbilisi, Georgia, 0102
- Programme One:
Phantom Islands (2018) By Rouzbeh Rashidi / 86mins / Ireland
- Programme Two:
1_Raquel Times Ten By Chris O’Neill (2017) / 10mins / Ireland
This portrait of actress Raquel Nave is at once a structuralist formal exercise and an emotionally engaging meditation on memory and decay. The deterioration of a VHS image as it is copied and recopied evokes distance and a breakdown of intimacy.
2_ Homo Sapiens Project (161-170) (2013) By Rouzbeh Rashidi / 8mins / Ireland
Rashidi’s Homo Sapiens Project (HSP) is an ongoing series of personal film experiments that range from cryptic film diaries and oneiric sketches to fully polished features. Installments 161-170 link a formally aggressive repurposing of Hollywood reels with an idiosyncratic appreciation of the wonder of science fiction.
3_Olive (2019) By Michael Higgins / 11mins / Greece – Ireland
Although clearly filmed in our time, Olive uses the scratchy beauty of hand-processed celluloid to help evoke a mood of ancient ritual. A group of people gathered in the remote countryside are absorbed into frames that often resemble the hand tinted colours and decaying textures of unrestored early cinema. Cinema is made to haunt the present like a ghostly vision from the past.
4_Brine Twice Daily (2015) By Vicky Langan / Maximilian Le Cain / 20mins / Ireland
Blind Twice Daily is a film that came from the sea, from the depths, and it never truly escapes its salt-encrusted origins. A bizarre romance that is at once an absurd comedy, a horror/adventure B-movie, a cryptic home video and a fading seaside postcard stuffed into
a bottle and cast adrift on the ocean, Brine Twice Daily marks a new departure in the Langan/Le Cain filmmaking partnership.
5_The Underworld (2019) By Jann Clavadetscher / 17mins / Ireland
This hallucinatory trip through the psychedelic recesses of science fiction begins in the flickering bowels of the earth. An explorer played by Cillian Roche undergoes a bizarre mutation in which cinema itself might possibly play a part. Clavadetcsher’s gorgeous 16mm colours and dazzlingly intense editing are underscored by a characteristic lightness of touch.
6_Antler (2018) By Atoosa Pour Hosseini / 15mins / Ireland
Pour Hosseini’s work with Super-8 conjures a mysterious territory that exists between memory, subjective perception and the objective materiality of the filmed image. Antler pushes deeper into this realm, seamlessly combining archival footage of animals and reptiles in their habitats with newly filmed material of the artist and an assistant at work in a botanical garden.
Total running time: 81mins