Rouzbeh Rashidi · Homo Sapiens Project
As part of the Homo Sapiens Project · comprising instalments 111–120
The Installments
A wired listener glances up as the world smears sideways, caught between song and street.
A woman lies still beneath a stranger’s hand laid across her eyes — sleep administered, not chosen.
A ring of light hangs in fog like an eclipse rehearsed indoors.
A face rests sideways across the frame, close enough for the film to breathe with it.
On red wood, a frightened face and a panel of pinned diagrams — the case and its evidence.
A figure darkens a doorway in a room already half fog, deciding whether to enter the image.
Against a faint window grid, a shadow stands where a man is only rumoured.
Two faces share one skull in double exposure, each dissolving so the other can appear.
From a glowing screen a woman’s face transmits itself through the static’s weather.
Pale continents drift across a grey field — a map of smoke redrawing its borders.
Synopsis
since 2000. While this unique approach to filmmaking initially developed unconsciously without a full understanding of the project’s scope, it took him over a decade to truly define and name the Homo Sapiens Project. The prime examples of this philosophy are HSP (200) and HSP (201). HSP (200) was started in 2000 as a work in progress and completed in 2020, with a duration of 490 minutes. Similarly, HSP (201) began in 2002 and finished in 2021, lasting 1150 minutes. These films represent a constant quest for equilibrium and connotation.
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Director’s Statement
Information to be added later.
Credits
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