Where to Begin
Rouzbeh Rashidi · Where to Begin
Forty released works, one practice, two phases. This page is a map, not an essay: two minutes here, and the shape of twenty-five years should be clear. The fuller account lives in the biography; the works themselves live in the filmography.
There is no correct first film — but there are honest answers to honest questions.
Phantom Islands (2018) · 86 minutes
The answer has not changed: this film. A man and a woman on the Irish sea-coast, rendered in images that do the work of speech. The most immediate connection this cinema makes with someone meeting it for the first time. From here: Luminous Void: Docudrama.
Homo Sapiens Project (200) · 2000–2020 · eight hours
Not a long film: a work that stands outside the cinema hall altogether — at home in galleries, installations, and on your own screen, where you set the terms. At one screening it ran from midnight to eight in the morning, the audience invited to bring sleeping bags: to sleep before the projection, dream with it, wake into fragments of it, and sleep again. Watch it that way — across days, in any order of attention.
Trailers (2016) · 180 minutes with Ten Years in the Sun (2015) · 148 minutes
The first phase at its limit. Trailers is the most cryptic and demanding work in this filmography — three hours without a word, where horror, science fiction, the occult and dream logic dissolve past genre into something almost alien. Its difficulty is not an obstacle; it is the film’s identity. Enter when you are ready — or approach it through Ten Years in the Sun, the epic that opened the way.
Or, if you already know you want all of it: the Editions gather the whole body of work in a single act — the features, the entire Homo Sapiens Project, and the collaborations — each delivered at once, to download and own.
The second phase — Elpis (2023) and Dreaming Is Not Sleeping (2025) — is not yet released for download. Their trailers can be watched now on their pages; the films will become available here in time. First word goes to the letter: Subscribe →
